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Author: Zhixin Jason Sun Publisher: Metropolitan Museum of Art ISBN: 1588396177 Category : Art Languages : en Pages : 270
Book Description
Spanning four centuries, from 221 B.C. to A.D. 220, the Qin and Han dynasties were pivotal to Chinese history, establishing the social and cultural underpinnings of China as we know it today. Age of Empires: Art of the Qin and Han Dynasties is a revelatory study of the dawn of China’s imperial age, delving into more than 160 objects that attest to the artistic and cultural flowering that occurred under Qin and Han rule. Before this time, China consisted of seven independent states. They were brought together by Qin Shihuangdi, the self-proclaimed First Emperor of the newly unified realm. Under him, the earliest foundations of the Great Wall were laid, and the Qin army made spectacular advances in the arts of war—an achievement best expressed in the magnificent army of lifesize terracotta warriors and horses that stood before his tomb, seven of which are reproduced here. The Han built on the successes of the Qin, the increasing wealth and refinement of the empire reflected in dazzling bronze and lacquer vessels, ingeniously engineered lamps, and sparkling ornaments of jade and gold from elite Han tombs. But of all the achievements of the Qin-Han era, the most significant is, no doubt, the emergence of a national identity, for it was during this time of unprecedented change that people across the empire began to see themselves as one, with China as their common homeland. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} With its engaging, authoritative essays and evocative illustrations, Age of Empires provides an invaluable record of a unique epoch in Chinese history, one whose historic and artistic impact continues to resonate into the modern age.
Author: Zhixin Jason Sun Publisher: Metropolitan Museum of Art ISBN: 1588396177 Category : Art Languages : en Pages : 270
Book Description
Spanning four centuries, from 221 B.C. to A.D. 220, the Qin and Han dynasties were pivotal to Chinese history, establishing the social and cultural underpinnings of China as we know it today. Age of Empires: Art of the Qin and Han Dynasties is a revelatory study of the dawn of China’s imperial age, delving into more than 160 objects that attest to the artistic and cultural flowering that occurred under Qin and Han rule. Before this time, China consisted of seven independent states. They were brought together by Qin Shihuangdi, the self-proclaimed First Emperor of the newly unified realm. Under him, the earliest foundations of the Great Wall were laid, and the Qin army made spectacular advances in the arts of war—an achievement best expressed in the magnificent army of lifesize terracotta warriors and horses that stood before his tomb, seven of which are reproduced here. The Han built on the successes of the Qin, the increasing wealth and refinement of the empire reflected in dazzling bronze and lacquer vessels, ingeniously engineered lamps, and sparkling ornaments of jade and gold from elite Han tombs. But of all the achievements of the Qin-Han era, the most significant is, no doubt, the emergence of a national identity, for it was during this time of unprecedented change that people across the empire began to see themselves as one, with China as their common homeland. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} With its engaging, authoritative essays and evocative illustrations, Age of Empires provides an invaluable record of a unique epoch in Chinese history, one whose historic and artistic impact continues to resonate into the modern age.
Author: Da Kong Publisher: Routledge ISBN: 1000374696 Category : Art Languages : en Pages : 202
Book Description
Museums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
Author: Ssu-ma Ch'ien Publisher: Indiana University Press ISBN: 025304846X Category : History Languages : en Pages : 443
Book Description
Part of the extraordinary multi-volume portrait of ancient China written by a court official of the Han Dynasty. The Grand Scribe’s Records, Volume XI presents the final nine memoirs of Ssu-ma Ch’ien’s history, continuing the series of collective biographies with seven more prosopographies on the ruthless officials, the wandering gallants, the artful favorites, those who discern auspicious days, turtle and stalk diviners, and those whose goods increase, punctuated by the final account of Emperor Wu’s wars against neighboring peoples and concluded with Ssu-ma Ch’ien’s postface containing a history of his family and himself. Praise for the series: “[An] indispensable addition to modern sinology.” —China Review International “The English translation has been done meticulously.” —Choice
Author: Sophia-Karin Psarras Publisher: Archaeopress Publishing Ltd ISBN: 1789693268 Category : History Languages : en Pages : 152
Book Description
Using archaeological data to examine the development of Han dynasty Chinese art (206 BC-AD 220), this book focusses on the iconography of paradise. Influence from the Chinese Bronze Age is discussed along with a surprisingly profound debt to Greece, the Near East and the steppe.
Author: Sheri A. Lullo Publisher: Routledge ISBN: 1351268309 Category : Social Science Languages : en Pages : 204
Book Description
The Art and Archaeology of Bodily Adornment examines the significance of adornment to the shaping of identity in mortuary contexts within Central and East Asia and brings these perspectives into dialogue with current scholarship in other worldwide regions. Adornment and dress are well-established fields of study for the ancient world, particularly with regard to Europe and the Americas. Often left out of this growing discourse are contributions from scholars of Central and East Asia. The mortuary contexts of focus in this volume represent unique sites and events where identity was visualized, and often manipulated and negotiated, through material objects and their placement on and about the deceased body. The authors examine ornaments, jewelry, clothing, and hairstyles to address questions of identity construction regarding dimensions such as gender and social and political status, and transcultural exchange from burials of prehistoric and early historical archaeological sites in Central Asia, China, Korea, and Japan. In both breadth and depth, this book will be of interest to students and scholars interested in the archaeology, art, and history of Central and East Asia, as well as anyone interested in the general study of dress and adornment.
Author: Maxim Korolkov Publisher: Routledge ISBN: 1000474836 Category : History Languages : en Pages : 316
Book Description
This book examines the emergence of imperial state in East Asia during the period ca. 400 BCE–200 CE as a network-based process, showing how the geography of early interregional contacts south of the Yangzi River informed the directions of Sinitic state expansion. Drawing from an extensive collection of sources including transmitted textual records, archaeological evidence, excavated legal manuscripts, and archival documents from Liye, this book demonstrates the breadth of human and material resources available to the empire builders of an early imperial network throughout southern East Asia – from institutions and infrastructures, to the relationships that facilitated circulation. This network is shown to have been essential to the consolidation of Sinitic imperial rule in the sub-tropical zone south of the Yangzi against formidable environmental, epidemiological, and logistical odds. This is also the first study to explore how the interplay between an imperial network and alternative frameworks of long-distance interaction in ancient East Asia shaped the political-economic trajectory of the Sinitic world and its involvement in Eurasian globalization. Contributing to debates around imperial state formation, the applicability of world-system models and the comparative study of empires, The Imperial Network in Ancient China will be of significant interest to students and scholars of East Asian studies, archaeology and history.
Author: Patricia Frick Publisher: BRILL ISBN: 9004384383 Category : Art Languages : en Pages : 270
Book Description
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Wares presents a comprehensive study on various new aspects of lacquer ware in China, Korea and Japan.
Author: The Metropolitan Museum of Art Publisher: Metropolitan Museum of Art ISBN: Category : Art Languages : en Pages : 29
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Author: The Metropolitan Museum of Art Publisher: Metropolitan Museum of Art ISBN: Category : Antiques & Collectibles Languages : en Pages : 24
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces its publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Author: Allison R. Miller Publisher: Columbia University Press ISBN: 0231551746 Category : Art Languages : en Pages : 348
Book Description
The Western Han dynasty (202 BCE–9 CE) was a foundational period for the artistic culture of ancient China, a fact particularly visible in the era’s funerary art. Iconic forms of Chinese art such as dazzling suits of jade; cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and armies of miniature terracotta warriors were prepared for the tombs of the elite during this period. Many of the finest objects of the Western Han have been excavated from the tombs of kings, who administered local provinces on behalf of the emperors. Allison R. Miller paints a new picture of elite art production by revealing the contributions of the kings to Western Han artistic culture. She demonstrates that the kings were not mere imitators of the imperial court but rather innovators, employing local materials and workshops and experimenting with new techniques to challenge the artistic hegemony of the imperial house. Tombs and funerary art, Miller contends, functioned as an important vehicle of political expression as kings strove to persuade the population and other elites of their legitimacy. Through case studies of five genres of royal art, Miller argues that the political structure of the early Western Han, with the emperor as one ruler among peers, benefited artistic production and innovation. Kingly Splendor brings together close readings of funerary art and architecture with nuanced analyses of political and institutional dynamics to provide an interdisciplinary revisionist history of the early Western Han.